Category Archives: Coffee with Creatives

F*cking Do It: Actor/Writer Bodine Boling

BodineBoling How about that? F*cking do it. Asterisk for the sake of not triggering any filters or blockers or whatever the kids call the buzz-killing censorship algorithms these days.

I digress. This week’s Coffee with Creatives episode is with the multi-talented Bodine Boling, whose film Movement + Location is currently in release in Los Angeles (after a week-long theatrical run in NYC) and available on several VOD channels.

We had a great talk about the travails of writing and producing a low-budget independent film. Subtopics included:

  • MAL_onset1 How varying production experiences can help improve your work in other areas
  • How/why she wrote the script for Movement + Location seventeen times before shooting it
  • The importance of having a reward you can envision at the end of a long-term pursuit
  • How to deal with a shoot location burning down
  • Working with your spouse
  • The sometimes harsh and insane financial reality of making art

Check it out. If you dig what Bodine has to say, take a look at Movement + Location . If you liked this episode, please share it on Twitter or Facebook !

This episode is also on iTunes .

Dirty Roots: Coffee with Creatives Q&A Episode

I have tried to A your Qs...

As detailed in my previous post, this week’s episode of Coffee with Creatives is an experiment. It’s been busy lately, with The Confession and The Videoblogs both taking up a lot of my time. It wasn’t possible to prep an interview episode for this week. Still, it’s important to me to keep providing useful content on creative productivity.

So, here we are, instead. The idea for this Q&A-style episode came to me last weekend, when I received some questions about making short films on Twitter . After answering on YouTube at that time, I decided to try a Q&A episode of the podcast as well. I crowdsourced some additional questions over the week, and recorded my answers yesterday.

Both the audio from the YouTube video and my new recorded answers are included in the episode. Here are the questions that I tried to answer:

  • What’s the right length for a short film script? What genre should it be?
  • Does the creative mind ever stop and rest?
  • When writing a story, what would be your advice on how to show a trait or theme, as opposed to explaining the same to the audience?
  • How do you know when you’re being hypercritical or when you’re just not into a story anymore?
  • How do you get past the self-criticism phase of writing?
  • What is your process for creating a new story?

Please let me know if this sort of stuff is at all helpful, if I could do anything different, or if you have any follow-up questions.

Thanks for listening. If you’re enjoying the show, please consider making a small ongoing contribution to help me keep it going .

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Coffee with Creatives: Send Questions!

Screen Shot 2015-06-08 at 9.57.33 AM I’m running an experimental episode of Coffee with Creatives this week, which will take the form of an informal Q&A on topics related to creative productivity. There’s a frequent and understandable overlap between this overarching topic (which acts as the backbone of the show) and filmmaking and writing (my vocations) — so I’ll answer some questions about these subjects as well.

We’ll see how the episode goes. If it does well enough, and/or there seems to be a demand for an occasional Q&A segment, I’ll build it into future plans.

So, please send any questions I might be able to answer. If you have any questions you aren’t sure I can answer, ask anyway. I’ll try to source them out for you, whether by reaching out to previous guests, tapping my network, or going hunting.

Feel free to leave your questions here, in the comments, or on Facebook or Twitter . I’ve copied samples of what has come in so far below.

Please send your questions by 10PM on Thursday, 9/17.

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Questions for Next Episode of Coffee with Creatives

  • What’s the right length for a short film script? What genre should it be?
  • Does the creative mind ever stop and rest?
  • When writing a story, what would be your advice on how to show a trait or theme, as opposed to explaining the same to the audience?
  • How do you know when you’re being hypercritical or when you’re just not into a story anymore?
  • How do you get past the self-criticism phase of writing?

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Lost in Stories: Writer/Actor Vanessa Shealy

Screen Shot 2015-09-03 at 4.46.02 PM

Today’s Coffee with Creatives interview is with hyphenate Vanessa Shealy , a Writer and Actor (and Producer) fresh off a successful (but still ongoing !) Kickstarter for her co-created indie comic, Couri Vine .

We had a great conversation about:

  • Falling into acting as a release 11828619_10153272990012284_7680790401937617824_n
  • Getting lost in stories (in a good way)
  • Dreams as composite maps of experience
  • The usefulness of having something to prove
  • Preparing to enter a new medium
  • Imbuing superpowers with character, just as often as you go about doing the opposite

If you enjoy what Vanessa has to say, and want to grab yourself a copy of Couri Vine , head over to the Kickstarter page for the project. You can also find Vanessa on Twitter .

This episode is also on iTunes .

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Tell That Story: Filmmaker Minhal Baig

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I first “met” Writer/Director Minhal Baig on Twitter, when several people whose work I respect started recommending everyone follow her — a ringing endorsement in today’s tech-enabled climate. We connected shortly thereafter and I invited her to come on the podcast to discuss her new project, Hala .

Our discussion was multi-pronged and, in my opinion, full of a lot of great lessons. Minhal works hard, and has already absorbed several big lessons about life as a creative despite only being a few years out of college.

Topics discussed in this episode include:

  • Entering the post-collegiate market as an artist
  • The hard work before and around the creative stuff
  • Sourcing out a more direct creative path (make your own work)
  • Storytelling as a personal need
  • The difference between trying to sell a script and trying to make a movie
  • The difference in scope between shorts and features
  • The importance of working on material that you love
  • Throwing out the good stuff to get to the great stuff
  • Supporting the movies you want to see
  • Personal vulnerability as a storytelling necessity

Minhal’s a smart and talented filmmaker. We also talked about how she began to hone in on some of the above lessons as one of the inaugural fellows in the Blacklist Screenwriter’s Lab .

This episode is also available on iTunes .

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Not Dead Yet: Ten Years of Filmmaking

CWC_Patreon_01 Today marks the ten year anniversary of the beginning of a near-death experience I had when I was a student in college. For a long time, it was hard for me to talk about that period of my life. Since around the time when I wrote this essay , however, I’ve been able to do a better job of discussing both what happened, and how it has affected me.

In the intervening years since writing that post, I’ve gotten to the point wherein I can talk even more openly, in person, about what happened — without becoming re-traumatized. Years of therapy, the natural erosion of pain via time, and the process of carefully opening up about it, more often, in trusted company over the years, has led me to a place where I can (gratefully) say that.

But something else happened ten years ago, too. Immediately after.

At the time, it was perhaps not the healthiest (sole) reaction to the fears I felt after my hospitalization, but, regardless — today I have come to view it as one of the two best things to have ever happened to me.

I started making films.

As soon as I was (somewhat) recovered from the experience, I began stumbling down a winding and staggered artistic path that continues to this day. Today’s bonus episode of the podcast, among other topics, is meant to explore this journey a bit.

The reasons I decided to talk about the relationship between my work and this incident in my life are many.

  • I wanted to take a life-affirming view of the anniversary of my illness, to focus on the ten years of (hard-won) health and happiness experienced since that time, that I can now identify as essential to my growth as an artist and a person — rather than the first five to seven years of prior intense dread.
  • I have come to view what happened to me not with fear, but with gratitude. I feel a discussion of my evolution to this point of view could potentially be helpful to others who might be struggling as I was at that age (early twenties). It wasn’t just the one thing that happened, which kept me somewhat blocked as an artist, and definitely struggling harder than I needed to struggle, for many years. Arguably, all the experience did was force some stuff to the service sooner.
  • It seemed a good way to close the book on the lingering anxieties I still sometimes feel when I think about how it felt at that time to be so unsure of tomorrow — despite that fact that we NEVER know what tomorrow is going to bring

So, here’s that episode.

And I realize that my mention of how stumbling into my life as a filmmaker was one of the two best things that’s ever happened to me might naturally lead to questions seeking to identify the other.

Well, she is the guest host for this bonus episode of the podcast. I hope you like it and thank you for listening.

This episode is also available on iTunes .

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Coffee with Creatives: Meeting in Isolation

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Amos converses with lead actors Ryan Egghold and Jennifer Damiano.

Hello, Coffeeheads! Thanks for coming by, take a seat! Isn’t that comfy?! It’s made of goose!

It’s not goose. But clearly I have some pep today. This morning is the first morning wherein I’ve felt decently healthy, after nearly a week of being down with the sickness. On that note, please forgive the audio (and voice) quality of the intro and outro for this otherwise informative and humorous episode of Coffee with Creatives , with Writer/Director Amos Posner.

Amos’s first feature film, B-Side , was released last week on iTunes and other platforms. I enjoyed it, and in addition to talking about the specifics of making the film, we also touched upon such related subjects as:

  • The importance of making mistakes on a small scale before jumping into something bigger
  • Learning from mentors
  • Freeing up your imagination to allows surprises that improve the product
  • How to find and trust key collaborators
  • Adopting new perspectives in the face of what’s been done before
  • The role that Britney Spears’s Toxic played in the genesis of B-Side

That’s a lot of good stuff. Especially that last part. Give it a listen!

Or head on over to iTunes to download to your phone.

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