The Big One: The Videoblogs
The Videoblogs is my first feature film (woah). It’s currently in post-production. More info here !
It’s on.
The Latest: Multiverse
A reclusive young woman decides to brave a night out in NYC and is confronted by an increasingly isolating series of strange events.
You can watch Multiverse now! If you like it, subscribe to my list and see The Videoblogs before anyone else.
The “Troubled” One: Sex and Justice
A pair of frustrated detectives and a confessed murderess go up against a corrupt District Attorney in this throw-back neo-noir crime drama.
Sex and Justice ate a few years of my life (burp). It’s an ambitious neo-noir featurette that performed well at direct-distribution screenings in Providence and New York, but which went into the vault after that. You can watch a clip, from a never-finished re-cut, here . I grew a lot as a person and a filmmaker during and after the making of Sex and Justice . Rebecca De Ornelas (who produced and stars in the film) and I continue to feel fortunate that we were able to scrape the film together thanks to the help of friends and family.
You really don’t want to mess with this woman.
Watch a clip from Sex and Justice
My First: Over Easy
An old school thug’s attempt to redeem himself for a past mistake is made more complicated when he meets a beautiful, mysterious young waitress while on the job.
Over Easy is my first film. A bunch of friends and I shot it using borrowed equipment over a weekend in Rhode Island (Cranston and Providence) in 2005, while I was still an undergrad at Columbia University. Over Easy screened at a few small festivals and at self-run events in New York City and Providence. DVD sales from those events helped Rebecca De Ornelas and I kick off pre-production on Sex and Justice .
This didn’t end well for our antihero.
Filmmaking is a long, layered process, and the films page often becomes a quiet map of where a creator has been and where they are still heading. From early short projects to a first feature now in post-production, each title marks a moment of learning, collaboration, and risk. Sharing the work publicly, inviting viewers into unfinished stories, and offering earlier access to a loyal community all reflect an approach that values honesty over polish. For a hopeful narrative aimed at complex people, this kind of openness is part of the storytelling itself.