Tag Archives: Seed&Spark

The Videoblogs Monologues, Part 4: “Ramona”

Hello, wonderful readers (and Videoblogs supporters).

Here is the final installment in The Videoblogs Monologues . As a reminder, these videos were crowdsourced and produced as examples of what we’re aiming to accomplish with “Phase 2″ or our project, which has been renamed The Videoblogs Dialogue .

More info on that here .

Also, today is our last day of funding for the film. We’re hugely grateful to be over 100% funded on Seed and Spark. But any additional contributions still make a difference and are appreciated. Reasons as to why can be found near the bottom of this post.

Plans, Expectations, and HOLY SH*T

Woah. Thank you.

Woah. Thank you.

It’s part of the beauty (and sometimes the cruelty) of life — that it proceeds without regard to our plans or expectations. Which is my attempt at a more eloquent way of saying: Holy Sh*t.

The Videoblogs is currently 102% funded on Seed and Spark.

With a little less than two days to go.

How did we get here? The short answer is that a generous supporter, in the words of a pal, helped us “kick the door down”. We went from about 62% to 102% funded in an instant.

This was not planned or expected.

Before that, two friends from college had each contributed at a high level, to bring us to that previous point of 62%. What they had to say to me when I rushed out my sincere and surprised thanks — left me in tears.

Rebecca and I (and the whole team) are so very grateful for all of you. I cannot express that sentiment enough.

Thank you. Your support means the world to us. It serves as validation, and a reminder, that the struggle and the fighting is worth it . As I have said before — we promise to bring a great film to you.

Thank you.

So, where do we go from here?

Well, for the next few days, we would still encourage you to contribute if you can.

Here’s why:

  1. We’re already operating at a very limited budget level for a feature film. This is not at all a problem and we continue to be grateful to be in this position, but any additional funds past our goal WILL be similarly stretched to make challenges (and they will come) less challenging.
  2. We want you to see the film first. As summarized here , this film is also an experiment in helping to arrive at a model for sustainable, empowered indie filmmaking. Every person who simply “purchases” advance access to The Videoblogs via a $10 or $20 contribution is voting for this model. What does this mean? It means you’re helping us make the films that a growing subset of people want to see but which aren’t getting made by big business. We’re going to get The Videoblogs to you quickly, because you are our supporters. After that, who knows? It could take a year or longer before the film is otherwise made available.
  3. In line with our bootstrapped approach, we have not budgeted much money for post-production (editing) or marketing. This is because I can do most of it if I have to do it. But I am simply not as skilled or as efficient at certain elements of post as a professional editor, colorist, marketer, etc. And, even so, the completion of these tasks cost money. We may have to fundraise again next year for theses stages. I can promise you that if we end up with even a small surplus this time around, it will be stocked away to make that process easier.

It feels awkward to keep “the ask” open for these final days, despite our position, but these are in fact legitimate reasons. We would be doing the film, and those of you who have already supported us, a disservice by failing to be transparent about the fact that every additional little bit still helps.

The urgency, of course, is gone. I literally dreamed of puppies and kittens last night. And a few dead birds, because there are always going to be some dark corners in there.

But, let’s choose to focus on the brightness today. At least in this one regard. That’s not going to be a problem for me, I don’t think. Because all of you have made me proud to do what I do.

Cast Interview: Masha King + Final Days of Funding

We’re down to our final few days to fund The Videoblogs .

We’re getting there, but we still need your help to get the Green Light on Seed and Spark.

We're a STAFF PICK. And we are over 60% funded.

We’re a STAFF PICK. And we are over 60% funded.

If you’re able to contribute, please consider doing so today to help us build momentum heading into Friday. What we’d most like to do is show you the film. For $10, we’ll send you a download when it’s finished. For $20, we’ll mail a DVD.

In the meantime, here’s our very own Masha King (Cass) answering some questions about her role in the film:

Casting Announcement: Rebecca De Ornelas

Rebecca will be playing Margaret, the lead character, in The Videoblogs

Rebecca will be playing Margaret, the lead character, in The Videoblogs

I’m going to attempt to balance this post with a modicum of objectivity. I’m going to fail at this. It’s lucky for all of us that art is subjective, anyway. Except that it isn’t. Not quite. Moving on!

There’s a good reason why objectivity is hard. Rebecca De Ornelas is, quite simply, is one of the most amazing people I have ever met.

We’re married. Let’s get that out of the way for the few of you who don’t know it. But, while we’re at it, let’s get a few more things out of the way.

When I say Rebecca is amazing, I’m not speaking as her partner. I’m speaking as a person and as an artist who has followed her career for years.

Still, as someone who has shared a life with Rebecca over those same years, I have had the privilege of watching her arrive at “some next level shit”, recently, as an actor.

I’m not the sort of person who would be capable of deluding himself about something like this. Just like I’ll never be the sort of person who would collaborate with someone just because we’re married. Rebecca isn’t like that either. No one who worked with us on our first film together knew we were a couple until the shoot was almost over.

There’s a very specific reason why I’m excited to be working with Rebecca as the lead actor in The Videoblogs — the character already belongs to her.

In the beginning, the character, Margaret, was written for Rebecca. It’s one of the benefits to being part of a creative couple that you can create things together that work to each of your strengths. But I’ve also learned to grow as a writer and as a collaborative filmmaker in recent years by watching Rebecca work. She’s taught me a lot about the value of trusting a performer with the time and space he/she needs to create, and about how much value performance brings to things that may start on the page or on the screen but truly emerge from the humanity of the actor.

Last night, Rebecca and I started rehearsing her first “videoblog” scenes. I almost cried hearing “Margaret” bare her soul for the first time. This was after just three reads.

Quite simply, Rebecca is a great talent, as well as a wonderful person to work with. All of us on The Videoblogs team are excited to watch her bring Margaret to life.

Here’s a video of Rebecca answering some questions about the film and her character. Below is her bio.

We have just a few days left to get The Videoblogs funded on Seed and Spark. If you’re a fan of Rebecca, please consider contributing to the film before Friday.

A generous contributor is currently matching all contributions, up to $1,000. If you’re a fan of Rebecca consider picking up an advanced copy of the film to help us get it made :-)

–

BIO

Rebecca keeps busy and she likes it that way.

Born in Flatbush, Brooklyn, to a Puerto Rican math teacher mom and a Portuguese fruit vendor dad, Rebecca learned the values of hard work and determination early on in life. These lessons helped her nurture her talents at New York University’s Tisch School of the Arts, where she trained at the Stella Adler Studio of Acting. They also provided Rebecca with a foundation for her current further study with renowned acting teacher and coach, Alice Spivak, who enabled her to put aside some of her fancy training and loosen the hell up.

After a few years spent working to become a better actor (it never ends), Rebecca decided it wasn’t enough to just be “in things” – she wanted to make them too. Spurred by her tireless work ethic (see above Portuguese Dad reference) and by the wonderfully creative people she has surrounded herself with over time, Rebecca co-produced the ambitious neo-noir crime drama featurette, Sex and Justice . Made with the help of friends and family, Sex and Justice was predominantly shot on a set built in a potato chip warehouse in Rhode Island. Rebecca and Writer/Director Michael DiBiasio then self-distributed the film, holding screenings at the Historic Columbus Theater in Providence, RI and at Tribeca Cinemas in NYC. The film was well-liked and well-reviewed but an overly ambitious business plan left them out of money and they were forced to live off free potato chips- more lessons learned!

Armed with additional knowledge and perspective, Rebecca went on to co-produce and star in Multiverse , a dramatic sci-fi short, which is available now to view. Rebecca is also a member of Alice Spivak’s OnTheRoad Repertory Company , formed in collaboration with her advanced acting classes made up of working actors. OnTheRoad produces revivals and original plays in and around New York City. With OTR, she will be playing Amy in George Kelly’s The Show-Off .

Rebecca is a member of SAG-AFTRA.

Interview: Phoebe Allegra + Matching Contributions!

Woah. Only 5 days left for us to get The Videoblogs funded on Seed and Spark .

We have a new video for you today, in the form of an interview with one of our lead actors, Phoebe Allegra.

If you like what Phobe has to say, please consider contributing a few dollars to our campaign to get the film made. Especially because…

… all contributions this week, up to a total of $1,000, will be matched by one of our generous Executive Producers.

That means if you can pitch in $10 for a download, your contribution will be worth $20 to the film. A DVD ($20) brings us $40 closer. And so on :-)

If you aren’t able to contribute at this time or already have, but you want to help today, copy and paste these messages into Twitter and/or Facebook:

Twitter : 5 days left to help #VideoblogsFilm spark a greater dialogue on #mentalhealth. All contributions will be matched! http://bit.ly/1pvk1ct

Facebook : 5 days left to help my friends make #VideoblogsFilm, an indie feature about mental health and reaching out through The Screen. Every contribution made this week will be matched by a generous supporter! Please pick up a copy of the film if you can! http://bit.ly/1pvk1ct

We can do this! Thank you for your support!

Gilmartin, Esqueda, Spivak Join Videoblogs Dialogue

Host/Actress/Writer Grace Parra Also Signs On as Juror for Video Contest Centered Around Mental Health and Personal Expression

Jurors signed on for The Videoblogs Dialogue

Jurors signed on for The Videoblogs Dialogue

(New York, NY) – Brooklyn-based indie filmmakers Michael DiBiasio and Rebecca De Ornelas are delighted to announce Paul Gilmartin ( The Mental Illness Happy Hour , TBS’ Dinner and a Movie ), Ashley Esqueda ( Senior Editor, C-NET TV , Tomorrow Daily ), Alice Spivak ( OnTheRoad Rep , How to Rehearse When There is No Rehearsal ), and Grace Parra ( “The Collective” , Pretty Strong Opinions ) as the first four jurors for The Videoblogs Dialogue , formerly known as “Phase 2″ of the filmmakers’ overall initiative to contribute to a greater dialogue on mental health and to advocate for the positive use of technology for personal expression. Bios for each juror appear below.

The Videoblogs Dialogue is a user-generated video contest aimed at helping tomorrow’s filmmakers and performers tackle difficult subjects with an ultimate focus on hope. It’s also a way for DiBiasio and De Ornelas to pay it forward, by ultimately mentoring younger filmmakers in the creation of their own work on these subjects.

DiBiasio explains: “We’re making The Videoblogs because we want to contribute to a greater dialogue on mental health, particularly in America. We think this is needed, and we think there’s plenty of evidence that it’s needed. Beyond that, as people who have benefited greatly from taking the important step of admitting we needed help — we want more people to know not only that it’s okay to do that, but that it may be in everyone’s best interest that those of us who need to are able to reach out without fear of judgment.”

“Still, we realized that just making a statement with the film wasn’t going to be enough. The film itself is about reaching out through today’s communication technology as a bridge to more community in real life. Taking the responsibility of that message seriously, we determined to come up with something more engaging.”

De Ornelas adds: “As you get older and progress as an artist, it’s not enough (at least for me) to just make statements with your art, like: ‘Here’s me! Here’s what I think! Hope you like it!’. Your responsibility changes and grows to something greater than just saying things. We want our work to be part of a dialogue. That connection through art, we feel, is exactly what artists are seeking, and that’s what we are hoping to establish with The Videoblogs Dialogue .”

Gilmartin, Esqueda, Spivak and Parra will join other jurors (including high-level contributors to the film’s funding campaign on Seed and Spark) in selecting finalists for the contest, from which an ultimate winner or winners will be chosen by DiBiasio and De Ornelas. The filmmakers will then mentor and assist the winner or winners towards the creation of their own short film about mental health and reaching out via technology.

In recognition of the possible hurdles that may come up as potential entrants attempt to craft their submissions, DiBiasio and De Ornelas crowdsourced the production of sample videos from a network of colleagues. Here is the latest sample:

The filmmakers also reached out to NAMI-NYC (National Alliance on Mental Illness, New York City Metro) about The Videoblogs Dialogue , and the organization would like participants to know that:

NAMI-NYC provides support groups and is available to direct people towards any care they may need in dealing with any difficult subjects. Please call their resource helpline at 212-684-3264 or visit their website at: http://naminycmetro.org . Entrants outside the NYC Metro area are encouraged to call The National Information Helpline: 1 (800) 950-NAMI (6264).

The preceding message will also be delivered to all entrants in the contest and will be posted as the first comment on every video for which comments are enabled (at each creator’s discretion).

The Videoblogs project is currently in its final week of funding. To learn how you can help, please visit: www.seedandspark.com/studio/videoblogs .

—

paulpic

Paul Gilmartin

Paul Gilmartin co-hosted TBS’ Dinner and a Movie from 1995 to 2011, and has been a stand-up comedian since 1987. His credits include Comedy Central Presents: Paul Gilmartin, numerous Bob and Tom albums, comedy festivals and the Late Show with Craig Ferguson. He is also a frequent guest on the Adam Carolla podcast, performing political satire as right-wing Congressman Richard Martin.

Paul was thrilled to be diagnosed with clinical depression in 1999 because it meant he wasn’t just an asshole. By 2003, he realized he was still an asshole and an alcoholic. Since 2003 he has been sober, mostly happy and a tiny bit less of an asshole. He leads a happy life in Los Angeles with a patient, loving wife and two spoiled dogs.

ashley

Ashley Esqueda

Ashley Esqueda is a geek of many talents: She’s currently a Senior Editor at CNET , hosting the futuristic and fun daily talk show “Tomorrow Daily.” She previously created content for other high-profile online publications, including G4, Technobuffalo, The Escapist, and more. She has a penchant for all things tech, ranging from mobile technology to video games to pop culture, offering a wide variety of knowledge across various topics.

In addition to hosting, she has written a variety of articles, scripts, and punchlines for many outlets, including two consecutive years as co-head writer for The Geekie Awards , an awards show celebrating indie creators in nerd culture. She also sits on the board of Take This, a non-profit charity dedicated to mental health advocacy for gamers and geeks.

Ashley serves charismatic and witty realness in the tech scene, and has charmed celebrities, CEOs, and consumers on red carpets, trade conventions, and the streets. There’s nowhere she won’t go for a laugh, especially at her own expense. In her spare time, she is the Queen of an unnamed island nation and enjoys including one outrageously false fact about herself in her bio.

Alice Spivak

Alice Spivak

Alice Spivak began her acting career at an early age, joining Actors’ Equity in 1956, Screen Actors Guild in ‘59, and AFTRA in the early 60’s. Having trained at the HB Studio with Herbert Berghof and Uta Hagen, she was made a teacher there in 1962, and taught on their faculty for fifteen years. Since that time, she has been a popular free-lance acting teacher and coach in NYC, currently teaching Advanced Scene Study Classes while also serving as Aristic Director for OnTheRoad Rep, founded in collaboration with her advanced and professional acting students.

She has acted extensively off-Broadway and in regional theatre (receiving the Joseph Jefferson Award in Chicago in 1975 for Neil Simon’s Plaza Suite ). On television, audiences have seen her more recently in Law & Order, Sex & The City, Law & Order CI , and as a regular performer on Sidney Lumet’s 100 Centre Street . as well as television commercials and voiceovers. Her more recent film appearances are in The Waiting Game and Find Me Guilty . and Only The Devil Knows You’re Dead .  She has also been seen in Woody Allen’s Stardust Memories and Another Woman . Two of her favorite movie roles were Jenny in Privilege by Yvonne Rainer, which premiered at the New York Film Festival in 1991, and Louise, an American tourist, in An Electric Moon , written by Arundhati Roy, directed by Pradip Krishen, and made in India.

She has coached on numerous feature films, Broadway shows, regional shows, TV mini-series, pilots, etc., receiving technical credits on quite a few, including The Fan, Buck & The Preacher, Harem, Now & Forever, etc. She also taught Film Directing Workshops and was a recipient of the Indie Award by The Association of Video and Filmmakers in 1977.  In 1981, she was on the faculty of NYU Film Grad School, teaching the course, Directing Actors . Spike Lee was her student there. In 2003-4, she again taught this course, this time at Columbia Film Grad School. She is co-writer and director of a short film comedy, Working For Peanuts and the author of: HOW TO REHEARSE WHEN THERE IS NO REHEARSAL – ACTING AND THE MEDIA (Limelight Editions) , which has received glowing reviews.

Grace Parra

Grace Parra

Grace Parra is a Mexican-American writer/host/actress based in Los Angeles.  She’s originally from Houston, TX and graduated from Columbia University with a degree in Political Science. Screen credits include: How I Met Your Mother, Zeke & Luther, Late Night with Conan O’Brien, Farah Goes Bang, The Bonnie Hunt Show, Greenberg, and many more. You can catch her in commercials for HONDA, OLAY, COFFEE BEAN, BLUE CROSS/BLUE SHIELD, HOME DEPOT and several others.

She’s presently the comedic host of NUVO’s “THE COLLECTIVE” produced by Jennifer Lopez. On the side, she writes and hosts the brand-new PRETTY STRONG OPINIONS WITH GRACE PARRA, where she created her very own political comedy series in the vein of The Daily Show, presenting a POV on all the political and social topics that differ wildly from your Stewarts/Colberts/Olivers. She also hosts live talk shows in LA including PARRA’S PINATA PARTY and “The Really Late Morning Show,” interviewing hundreds of celebrities and creating sketches for sold-out shows on a monthly basis.  She created and starred in the webseries FRIDA KAHLO, JUNIOR MARKETING EXEC, a semi-finalist in the 2013 New York Television Festival, and was a cast member in the prestigious 2013 CBS DIVERSITY SHOWCASE.

Grace is also an accomplished TV comedy writer, whose credits include ABC’s Work It, TBS’s Glory Daze, and Disney’s Jonas LA. She recently developed and sold a pilot to MTV produced by Jennifer Lopez and Nuyorican Productions.

Another Battle: Actors vs Writers vs Filmmakers vs Comedians

You guys really enjoy competition. I guess that can be healthy. Sometimes? :-)

Seriously, thanks for making our Hometown Battle contest (Cranston Rules!) such a success. Over the past few days, we’ve eclipsed 40% funded for The Videoblogs . But we have just a little over a week left to meet our goal.

Today, we have another friendly competition for you.

I apologize in advance, because today is probably going to get out of control. Everyone remember this is all for a good cause :-)

Today is The Battle for Artistic Supremacy

Game Faces. All around. Bring it.

Game Faces. All around. Bring it.

Actors vs. Writers vs. Filmmakers vs. Comedians

Now. I know what you’re thinking. How does it help to ask a bunch of equally “financially challenged” professionals to contribute?

Valid point. But I have counterpoints…

Outside of friends and family (but often included in that group as well) no group is as supportive of the arts, percentage-wise, than other artists. This is not a knock on non-artists by a stretch. I think it’s just a little easier for artists to understand just how hard creative pursuits can be. Which is fine. We’re all in it because we want to be.

This campaign isn’t just about the 20K we need to shoot the film

It’s about an idea. One we share with Seed and Spark , which is why we’re working with Emily Best and company rather than another platform.

This is about community. It’s about banding together en masse . I don’t expect any fellow artists to able to contribute more than $20 today.

But that amount was carefully selected. So was the $10 and $5 incentive level.

Today, we’d love to bring in 50 contributions between $5 and $25. More would be great, of course :-)

Every dollar counts!

Every dollar counts!

What we really want people to do here (a lot of people) is take a leap of faith and buy a copy of the movie before it’s made. We’ve tried as much as possible to make that an easy decision for you. And, again, I promise we’ll deliver a great film to you.

Rebecca and I together probably know hundreds of Actors, Writers, Filmmakers and Comedians. Between the rest of our team, I’m sure we know hundreds more.

It’s beyond moving when we get large donations like the one we got this morning that put us over 40% funded (with a little over a week to go). But, last night, we also got one for $5 that moved me in equal measure

Because that person did what they could AND for that I get to send her my book . Which I love to do. A piece of my soul went into that little book. I don’t know how or why it happened but it did. And the feedback I’ve gotten from those who have read it has been heartening.

You too can get a hold on some DREAD.

You too can get a hold on some DREAD.

So, yes, today is a friendly competition. I will be representing The Writers. We’ll probably win. But that’s not what this is about :-)

This is about making a statement that small movies (and other projects) about difficult issues — have a right to exist.

If even half of the hundreds of fellow artists who read this today pick up a copy of that book and then share this post — that will push the needle on our campaign forward significantly.

The same rules apply as the last competition. Every dollar counts towards the total. The losers have to admit defeat, and declare the supremacy of the winner, in a video.

Take a leap of faith with us?