Dirty Roots: Coffee with Creatives Q&A Episode

I have tried to A your Qs...

As detailed in my previous post, this week’s episode of Coffee with Creatives is an experiment. It’s been busy lately, with The Confession and The Videoblogs both taking up a lot of my time. It wasn’t possible to prep an interview episode for this week. Still, it’s important to me to keep providing useful content on creative productivity.

So, here we are, instead. The idea for this Q&A-style episode came to me last weekend, when I received some questions about making short films on Twitter. After answering on YouTube at that time, I decided to try a Q&A episode of the podcast as well. I crowdsourced some additional questions over the week, and recorded my answers yesterday.

Both the audio from the YouTube video and my new recorded answers are included in the episode. Here are the questions that I tried to answer:

  • What’s the right length for a short film script? What genre should it be?
  • Does the creative mind ever stop and rest?
  • When writing a story, what would be your advice on how to show a trait or theme, as opposed to explaining the same to the audience?
  • How do you know when you’re being hypercritical or when you’re just not into a story anymore?
  • How do you get past the self-criticism phase of writing?
  • What is your process for creating a new story?

Please let me know if this sort of stuff is at all helpful, if I could do anything different, or if you have any follow-up questions.

Thanks for listening. If you’re enjoying the show, please consider making a small ongoing contribution to help me keep it going.

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Coffee with Creatives: Boy Turns Into Dog

Edward_PomerantzEdward Pomerantz taught me screenwriting.

I took his workshop two or three times while working through the Creative Writing Program at Columbia University when I was there. Eddie helped me adapt my first published short story into what would become my first film, Over Easy. That film wouldn’t have been a success, and I may not have “caught the bug” after making it, if I didn’t spend an entire semester workshopping the adaptation with Eddie and my classmates. His passion for writing and, more than that, about authentic storytelling, is infectious. I was very glad that he agreed to come on the podcast.

This episode was a pleasure to record. Eddie has had a long and varied career as a screenwriter, novelist, playwright, and teacher. He also recently directed his first film, La Comida, which has so far played at four film festivals.

Topics we cover in the conversation include:

  • The necessity of having a clear reason for telling each story you sit down to write
  • The importance of only taking writing assignments you can make your own
  • The parallel importance of not looking down at an assignment that can be made your own with a little thought and consideration
  • Why Eddie believes Robert McKee ruined screenwriting
  • The differences between writing something and directing something
  • Listening to the needs of the story, rather than trying to force something to happen
  • “Keeping the ball in the air” as long and as effectively as possible
  • Bringing an element of danger into your work
  • And much, much more

Beatriz De La Cruz stars in La Comida, a funny and poignant short Written and Directed by Eddie.
Beatriz De La Cruz (La Comida)
It’s basically a crash course in how to leave it all on the table, in service of whatever it is that your story needs. I hope you like the interview.

Please feel free to drop a note in the comments if you have anything to add, or have any follow-up questions you’d like to ask.

You can find more about Eddie at his site: http://edwardpomerantz.com/.

Coffee with Creatives is also available on iTunes.

Reflections on Story

The script for my new project, the story of which, I hope, is just beginning.
The script for my new project, the story of which, I hope, is just beginning.

I want to talk about Story. Stories.

Stories have been on my mind lately. They’re always on my mind — I’ve always had a particular obsession with storytelling itself, as much as I have one with the act of it — but lately I’ve been reflecting upon what stories mean to me with a renewed focus, with redoubled vigor.

A few days ago, I wrote a note to myself:

Story is how I make sense of the world, and how some sense of the world is delivered to me.

At the time, I felt it was an important reflection. In retrospect, I recognize the words as some variation of an old mantra — one that readers might even recall from past posts here.

It doesn’t matter. Either way, I needed to deliver that message to myself. I still need to deliver it, perhaps every day.

Sometimes I try, uselessly, to fight reality. I try to convince myself that there are other important things to do. And there are, I suppose (eating, drinking, sleeping and…loving). But, for me, for better or worse, everything else — it all has to be part of The Story.

It gets dark, in my mind, when there’s just the noise and the flash of life filling the space there. I need to tell and experience stories — however they are defined, in whatever form — in order to stop myself from going crazy. I think, perhaps, in one form or another, we all need to do this. The danger, of course, is choosing the right stories to believe in and pursue.

There is also danger in denying the truth of our own stories, whatever they are. But as tempting as it may be, and however many of us may do this for long stretches and even entire lives — that truth, in the end, is irrefutable. We have authorship over the choices we make in life, that take us in whatever directions, down whichever paths. Every story invariably demands its day.

For all these reasons, I consider stories to be precious. Though I don’t mean by that they should also be stored behind glass, viewed from behind a rope.

I like my stories messy, a lot of the time. Some of the time I like them dirty. On occasion, I even like them to be confectionery. But, really, overall — I don’t much care.

Just give me something passionately told and fully considered. Give it to me in whatever form. Even within the narrative of my own life. I’ll take passion and thoughtfulness, every day, over the fear and the panic of the unknown.

I fucking love stories. I live for stories.

Don’t we all, when you really think about it?

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