Well, kids, for anyone who missed the news — this is the last episode of Coffee With Creatives. At least, it’s the last one for now. I have decided, after much deliberation, to put the show on indefinite hiatus.
But I couldn’t have asked for a more perfect guest to bring to you for this occasion.
Nathalie Sejean is a champion of creative entrepreneurialism. She provides indispensable service to creatives, via her newsletter (Sunday Interestingness) and site (Mentorless.com), and is currently in development on her first feature film (In Five Years).
Check out our talk to hear Nathalie testify to the power of:
- Turning to books at an early age (and, later, to bookselling) to jumpstart her interest in learning and storytelling
- The advantages of building a skill set, while avoiding perfectionism, by moving from experiment to experiment
- Leveraging daily creative challenges to source and iterate ideas over time
- Showing your work, and why this is a crucial action
- Keeping yourself accountable and taking continuous action — while staying humble
- Fostering virtual communities
- Transforming virtual relationships into real life meetings
- Repetition, and how it serves not only output but quality and growth
- An effectively employed and genuinely considered newsletter
As for me, I am going quiet for a while. But you’ll hear from me soon. It will be a growl from a mountain.
Thank you for your listenership and readership. If you want to stay in touch, reach out anytime. Or sign up for my email list. I’ll likely keep active there, for now.
You can also listen to Coffee with Creatives on iTunes.
My name is Michael. I am a Writer and Filmmaker of hopeful stories for complex people. My first film, The Videoblogs, about mental health in the age of tech, is available on iTunes. I’m currently working on my next film and also a novel. Once per month or so, I send a special note to those on my email list. They get exclusive and advanced (sometimes free) access to my work. You can join this special group here. Thanks for reading.